EXPERIENCE THE ART AND CONTENT OF HARLEM RENAISSANCE MAGAZINES
Historically significant literary art, visual art, articles, and editorials in quality, periodical-size reproductions.
Opportunity: A Journal of Negro Life was founded by Charles S. Johnson in 1923 and published monthly by the National Urban League until 1949.
The Crisis, founded by W.E.B. DuBois in 1910 and published monthly by the NAACP, was one of the first national periodicals by-and-for African Americans.
The Messenger was published monthly from 1917 until 1928. It began with a socialist agenda but transitioned into a formidable literary publication.
The Saturday Evening Quill was published by Boston’s Saturday Evening Quill Club annually from 1928 to 1930. “Of the booklets issued by young Negro writers in New York, Philadelphia and elsewhere," wrote W.E.B. Du Bois, "this is by far the best."
Dorothy West, Waring Cuney, Florida Ruffin Ridley, Gertrude Schalk, and more
Helene Johnson, Waring Cuney, Alvira Hazzard, Lois Mailou Jones, and more
Carolina Magazine, the literary magazine of the University of North Carolina, published a “Negro Number” annually from 1927 until 1930, "to present an issue representative of Negro life and art.” The product of the historic four-year collaboration between prominent Harlem Renaissance writers and students at an all-white Southern university rivals any Harlem Renaissance era anthology.
Contributors: Aaron Douglas, Langston Hughes, Countee Cullen, Arthur Huff Fauset, Helene Johnson, and more
Contributors: Alain Locke, Arna Bontemps, Charles S. Johnson, Langston Hughes, Alice Dunbar-Nelson, and more.
Contributors: Aaron Douglas, Eulalie Spence, Willis Richardson, John Matheus, May Miller, Waring Cuney, and more.
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