Tag Archives: gold

The Golden Touch

My King Charles Cavalier didn’t seem impressed with the royal treatment the middle child of this nesting table family received in If at First You Don’t Succeed, so I decided to dress the eldest for a coronation.

With gold spray paint.

It looked as if King Midas had come for tea.

King Midas and the Golden Touch by Al Perkins, Pictures by Haig and Regina Shekerjian, Scholastic, 1973

To tone down the gold, I experimented with a wash of Annie Sloan Old White. The paint beaded on the glossy surface and I let it dry like that. It was an interesting effect but still left too much of a Midas touch.

Out came the Black Gel Stain. I applied it to the surfaces as if it were paint. Gel stain is oil-based and thick. I doesn’t behave exactly like paint but if you’re patient and let it cure between coats (in this case, two days), it leaves a rich and solid finish. It’s blacker than Annie Sloan’s Graphite chalk paint and it doesn’t need wax or varnish.

I learned from A Cup of Joe to Go to wear gloves and use a foam brush.

I wouldn’t take all the gold away from this rich little table. The metal base and pull, as well as the inside of the drawer, stayed golden.

The random raised pattern left by the beaded white wash gave this little prince some depth.

Quite regal.

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Rock on!

An antique dealer told me rocking chairs were dead. Dead??? It seems as a society we’re more prone to hunch over a computer then sit back and relax.

But not all of us! When a friend spied my old rocker, she sank into it and closed her eyes. What was her favorite color? Blue. Old rocker, new paint, happy friend. Done deal!

First I tried Aubusson Blue but I felt it was too light. The nicks and scratches would remain part of the character of the chair but wouldn’t be as prominent with a darker color. I chose Napoleonic Blue.

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It turned out the rocker needed more glue than paint. It was obvious that it had already been glued a few times in the past. I used wood glue where I could and squeezed Gorilla Glue Original (like Krazy Glue) into the smaller joint crevices. It wasn’t always pretty but it held the joints well enough to quiet the creaking.

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I somehow managed not to glue my fingers together.

A girl scout song helped me choose the accent color. “Make new friends but keep the old. One is silver and the other’s gold.” After two coats of Napoleonic Blue, I gave my old friend a wink with touches of gold.

First up, a gold stripe on the spindles. I positioned two long strips of Frog Tape (my favorite painter’s tape) in nice even lines across the bars, then cut in between so that I could wrap the tape around each spindle.

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The gold paint of choice was Modern Masters Metallic Paint, Olympic Gold. At Suite Pieces, I got a little friendly advice about this paint.  It works well over chalk paint but direct application to wood requires more prep work. It’s oil-based and needs mineral spirits or paint thinner for clean-up.

I stenciled a leaf design on the left and then flipped the stencil for a mirror-image on the right. Positioning was trial and error but as you can see in later photos, I think I got it pretty close.

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I used the same stencil for gold leaves on the arms. I made my own design using two different leaf shapes on the stencil, and cut a paper template to make positioning them easier.

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Another long strip of painter’s tape helped align the template and the (flipped) stencil on the opposite arm.

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How did a picture of my mother’s hand get in there? Oh, that’s my hand.

I hand-painted some gold lines in the grooves of the legs and crossbar and gave the whole chair a coat of Clear Wax.

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I gave the rocking chair a long and luxurious test run by the fireplace.

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Maybe I can give the rocking chair a new life by calling it a meditation device. Batteries not required.

What I learned:

  • Gorilla (or Krazy) glue helps bond furniture joints that can’t be removed.
  • Modern Masters Metallic Paints are oil-based and are easily applied to chalk painted surfaces.
  • When combining stencil elements to create a unique design, cut out a paper template to help position them.
  • Take some time to sit back and relax.

 

Tic Toc Table

I had just enough time for a quick visit to an estate sale at a beautiful old home, but for me, of course, the best find was a castaway coffee table in the garage.

I loved the lines on the legs and decided to try something new. Instead of painting inside the lines after the final coat, I used a reverse method.

First coat was Annie Sloan Graphite.

When that dried, I applied Old Linen. While the paint was still wet I wiped the it away in the grooves using cotton swabs, which exposed the Graphite. I repeated the swabbing method after the second coat of Old Linen.

I guess I was a little heavy-handed because I wiped down to the wood in spots. Not exactly what I had imagined, but I liked it.

The top also had some interesting grooves and I used the same method.

  

The next step was a little tricky. I used Adobe Illustrator to make a large clock face, printed it out on multiple sheets of paper, and taped them together. I included an outer circle as a guide to help me trim it.

Alternatively, you can find an image of a clock face you like and blow it up to the right size, and print it out. Either way it takes a little bit of computer savviness.

I slid graphite paper under sections of the paper to transfer the image to the table.

You have to be careful with graphite paper. It’s almost impossible to erase if you make a mistake, covering goofs with a lighter color (like Old Linen) is challenging and tedious. You can see that I must have shifted the paper while tracing the number XII. Fixing it was frustrating but not impossible. I should have checked my transfer process more often.

Finally, I was able to use a small brush to fill in the numbers with Graphite (paint, not paper). I was careful but not  worried about perfection because I knew I would be sanding them for a distressed look.

“One must work with time and not against it.” – Ursula K. Le Guin

Same goes for the grain of the wood when you’re sanding. This is one of the legs after I started sanding back the paint on the edges.

And here’s the top, distressed. I used light curved strokes over the numbers and put a little more muscle in it around the edges, sanding down to the wood in random spots.

Then came a fun time with my Facebook friends. I posted a picture and asked for opinions: Should add working clock hands, paint them on, or leave it blank? Here’s the tally:

  • 7: Leave it as is.
  • 2: Add a working clock to the table face.
  • 2: Paint the hands at 5:00 (Happy hour!)
  • 3: Make a sundial. (Vetoed. I recognized the grave danger of a table with a pointy top.)
  • 2: Add a lazy susan in the middle.
  • 1: Paint hands on the lazy susan to “play with time.” (Extra credit for making me laugh.)
  • 3: Make a working clock on the table face and add a raised glass surface. (Time-consuming.)

I appreciated all the input but after pondering the ideas into the wee hours, I decided to go back in time to my first inclination and leave it the way it was.

The bottom portion of each of the four legs must have capped at one time. To make the table appear a little more grounded, I painted them with Graphite and sanded them back about the same amount as the numbers.

A coat of clear wax and there she is! One of the dishes holds thyme. Get it?

What I learned:

  • You can wipe wet paint with brushes, rags or, in this case, cotton swabs to expose the color (or even unpainted wood or metal) underneath.
  • Sand with the grain or shape and not against it.
  • Graphite paper transfers are unforgiving and should be used carefully and with caution.
  • Other people’s ideas are alway useful. Even if you don’t use them, they help guide you to what you really want.
  • “Time is on my side, yes it is.” – The Rolling Stones