Here’s my first video blog! I had a great time converting a vintage suitcase into a dog bed. Sometimes dogs are my favorite people!
Here’s my first video blog! I had a great time converting a vintage suitcase into a dog bed. Sometimes dogs are my favorite people!
Three big and beautiful industrial gears got my wheels turning.
I knew the largest one, 17.5 inches in diameter, would become the top of a coffee table. Geared up for this big idea, I commandeered the base from an old industrial stool …
… and spray painted what would become the coffee table legs.
It looked a little boring so I broke out the Rub ‘n Buff wax, rubbing on patches of bronze and black.
The next problem was finding a way to secure the gear to the base. For this, I anxiously awaited the next meet-up of the Long Island Makerspace. It’s a group of people who, well, like to make stuff. We meet in a small industrial plant with access to, among other goodies, a 130 watt CO2 Laser Cutter.
Oh, I was itching for my turn with that baby! As a novice, circles seemed like a good start.
With a little help, I programed the laser to cut a few perfectly perfect circles from a melamine panel.
No, I wouldn’t be rounding up all of these disks for my gear table. I just needed the six “doughnuts” I’d cut. I frosted them with wood glue and stacked them up like a layer cake.
When dry, the glued layers received the same paint and wax treatment as the base.
Four existing holes in the base made an easy job of screwing the base to the melamine from underneath.
Not only would this laser-cut-layer-cake pull the base and the gear together, it would add a few needed inches to the height of the table.
The rough feet of the base needed rubber tips. I had to cut them with a utility knife to make them fit. Not beautiful, but they did the job.
Four screws with washers, camouflaged with a repeat application of paint and wax, secured the gear to the top.
In anticipation of the final step, I pressed eight self-adhesive plastic “buttons” around the rim.
There wasn’t a structural purpose for a center-hole design, but I liked how it looked.
For a little more bling, I iced the gear tips with Rub ‘n Buff bronze.
The final step will be a glass top, 24″ inches in diameter, that I’ll purchase from the local glass shop I used in I Can Top That. (I’ll post the real final result soon. I was too excited wait.)
All in all, a piece of cake!
I wanted to make a portable, compact bar unit to help my son entertain in his small apartment. The designs I came across reminded me of the media cabinets my generation used to organize VCR tapes. And I found one.
Outdated storage units tend to be inexpensive. I like inexpensive.
The cardboard back needed to be replaced with sturdier particle board, and for ease of painting, I took the doors off too.
It was so much easier to paint everything separately. If I had nailed the panel to the back and then painted, I would have had a lot more pesky corners to deal with.
For the bottom and exterior I wanted a deeper black. For this I used Artisan Enhancements Scumble and General Finishes Glaze Effects in Pitch Black, making long even strokes over the paint with a chip brush. Scumble keeps the glaze wet longer so there’s more time to “play” with it. (You can read more about this glazing technique in Backgammon Anyone?)
To give the interior some shine, I sealed the red paint with Satin-finish General Finishes Topcoat.
After letting the black glaze dry overnight, I was pleased with the dark, textured look.
Fortunately I was able to put the whole thing back together again.
Two additions I made were casters and handles. The handles (large cabinet pulls) help maneuver the rolling bar, and they also make a convenient place to drape a towel.
I included a fifth caster in the front to keep the unit from tipping forward when the doors are open. To keep the glasses from sliding around, I cut up some gray rubber shelf liner to fit the shelves on the doors.
A fun addition was motion sensor lights. Double-sided tape adheres a metal strip to the surface (one under the top and one under the shelf). The metal attracts and holds the magnetized light. The lights can easily be taken out and put back in. Instead of batteries, they recharge with a USB port.
Setting the lights to motion-activation means the lights will go on when the doors were opened. Fun!
I’m sure my (very) responsible son will enjoy the storage and versatility of his rolling bar cart. And I know exactly what he’s going to ask when he reads this. The answer is, “Sorry, David, the liquor is not included.” (He’ll get a chuckle out of that.)
(P. S. Not that I wouldn’t mind, but I’m not paid to endorse any of the products.)
Thrift store find, $16.99!
The top told me it needed to be a backgammon table. (Furniture talks to me. Don’t ask.)
My backgammon idea challenged me for quite a while. I’d run through all kinds of color and design options in my head but none of them seemed right. It wasn’t until I took a General Finishes class at Suite Pieces that I knew glazing was the answer.
First, two coats of Annie Sloan Country Grey.
With a light distressing and some clear wax, I could have stopped there, but of course I didn’t.
For a two-tone look, I taped the edges of the top and the sides to get them ready for a glaze finish. The first step was a coat of Artisan Enhancements Scumble. Scumble is a water-based extender. It keeps the glaze wet longer so the glaze goes on smooth and there’s more time to “play” with it.
The Scumble has a sheen when it goes on. I tilted the table in the light to find the sheen and make sure it covered the entire surface that would be glazed.
… and across the drawer, and the sides.
I let the glaze dry overnight, then taped off the glaze I’d already applied. On went the Scumble and the glaze in Van Dyke Brown. Again, I used a chip brush to move the glaze in the direction I wanted. On the top, I followed the shape of the rim. On the bottom, I brushed downward and followed the line of the legs.
I changed the drawer pull and could have stopped then, but of course I didn’t.
I mapped out the backgammon triangles in Photoshop. I had a few different options to apply them. I could decoupage paper triangles, transfer images that had a triangle shape, make my own triangle stencil, or tape and glaze. I decided to tape and glaze.
I taped the table top and used graphite paper, pencil and ruler to trace my triangles onto the tape.
(I should buy stock in FrogTape Brand painter’s tape. I think I’m keeping them in business.)
I used a ruler and exacto knife to cut the tape around every other triangle.
I applied Scumble and Van Dyke Brown glaze. This time I brushed a cross hatch pattern, stroking the glaze first along the triangles and then across them.
In the photo above, you can see a little smudge on the bottom where I forgot to tape. I caught it while it was still wet, and wiped it off with a damp paper towel. The advantage to glaze is that it leaves a nonporous topcoat. Bare chalk paint would have absorbed that little goof and I would have had to paint over it.
The following day, I used my ruler and exacto knife to cut out the triangles that would receive a lighter glaze. I applied a fairly heavy coat of Winter White and with a damp paper towel, carefully wiped the glaze from each dark triangle.
Because the coat of white glaze was heavier, I removed the tape right away so that I could catch and wipe away any glaze that had seeped through the tape.
There were a few times during the process I could have stopped and still had a nice looking table, but I’m glad I kept going.
I’d been on a suitcase kick and I wanted to try a trunk. As it happened, there was one waiting for me at a thrift store! I decided on a fantasy excursion to the birthplace of the Beatles.
I gave the whole trunk a light sanding and filled in some nicks with spackle.
I used a foam brush to apply black gel stain to the trim and hardware, and while I was at it, I went ahead and coated the whole exterior. Gel stain doesn’t cover metal completely. It leaves a bit of a distressed finished that I like. The trick always, when using gel stain, is to give it plenty of time to dry.
On Pinterest, I found a guide to painting the Union Jack.
To prevent painting over my treated trim and hardware, I had to tape it. I used an exacto knife to trim the tape so that the tape only covered the metal. This had to be done in two steps: once for the lid, and then again for the base.
I started with a coat of Annie Sloan Napoleonic Blue on the lid. For the red and white stripes, I chose Emperor’s Silk and Old Ochre.
It sure was easier pulling the tape off the trim than it had been applying it. And that was just for the lid. I still had to tape up the trim before I painted the base!
When the trim on the base had been taped, I continued the stripes down the front, back and sides, even painting the front handle.
I decided on bun feet for my British box. I purchased the mounting plates and the feet at a home improvement store. The mounting plates are designed to be used with different styles of “quick mount” feet or table legs.
Since the wood bottom of the trunk wasn’t thick enough to hold the mounting plates, I cut triangles of scrap wood and glued them to the corners with wood glue. (The paint cans pressed the wood together while the glue dried.)
From the bottom, I screwed the mounting plates into the trunk and through the wood triangles glued inside the bottom.
I gave the bun feet two coats of Emperor’s silk and screwed them into the plates.
I coated all of the painted surfaces on the outside with clear wax. The Emperor’s Silk on the interior pressboard didn’t need a sealer.
Closed, the trunk is a fun coffee table or linen chest.
Open, it’s a display and storage piece for an entryway or mudroom. Either way, it’s a treat for anyone who loves Great Britain or the Beatles!
From New York to London, “With Love From Me to You.”
This chair needed some love. And maybe some flowers. I imagined an outdoor planter for a certain house already filled with love.
I brightened it with Annie Sloan Burgundy. During the month I purchased the paint, Suite Pieces donated a portion to breast cancer research. I was already off to a loving start.
Because this chair would spread the love outdoors, I added two coats of polyurethane to the paint and the cane, sanding between coats. With all that detail, these steps took some patience. I knew that polyurethane could yellow, but even if it did, I decided it wouldn’t diminish the integrity of the color.
Dressing up the cane back was easy with pieces of a cranberry garland glued inside a twist-tie burlap bow.
My plan had been to cut a hole in the seat and insert a flower pot, but the cane was so sturdy I hated to break it. Because this could end up being used as a chair, I tightened some creaks with Krazy Glue. Letting drops of this glue seep into the joints isn’t the most professional finish, but it works for minor creaking, and I felt a quick fix was adequate for this chair.
I didn’t give up on the planter idea. I broke up a drawer ottoman I wasn’t using…
…and painted the drawer to match the chair. I drilled holes in the bottom of the polyurethaned drawer for drainage and glued strips of rubber shelf liner to the bottom so the planter wouldn’t scrape the seat.
The front section is a chalkboard created with three coats of Graphite with a light sanding between coats. I wrote a message that truly describes the home of my youngest brother and his family.
The chair and the planter could be used together or separately.
It was a gift from the heart and I loved my sister-in-law’s reaction when, during the big hug she always greeted me with, she spied the chair over my shoulder. Her jaw dropped and her eyes lit up. My brother’s reaction was just as positive but, as usual, more low-key. I knew they both loved it.
Lynda has changed the flowers with the seasons but she’s never changed the original message. Love really does grow there.
What’s better than having a travel buddy who shares a love of history, antiques, flea markets, and four-legged friends?
Camilla and I live 400 miles apart, which means there’s a good deal of traveling that has to happen before we get together and shake up some dust. A great surprise for my BFF would be a funky update to a vintage train case I’d bought on one of our jaunts.
Out came the insides, including the mirror.
The fabric inspired the paint colors: Annie Sloan Florence and a pink concoction left over from Just In Case.
At first, I cut the fabric in the shape of the old liner, but I lost patience trying to glue a lightweight fabric into a cramped space. I took a different route.
I painted the interior, then cut pieces of fabric and thin foam to fit the bottom. (I thought it would be nice to have a little bit of cushion, especially if the case might hold a fragile flea market find.) I sandwiched the layers with spray adhesive.
I measured a length of fabric to wrap around the inside walls and cut the top of the strip in a wave, leaving only whole, jumping dogs at the top.
Honestly, because it didn’t have to line it up with top edge, the wavy cut made it a whole lot easier to position the strip and adhere it with Mod Podge.
Painted clothesline, also left over from Just in Case, neatened up the inside. I coated the whole interior with Heirloom Traditions 1Gel. [A note about 1Gel: It’s expensive. I only choose it over Mod Podge when I want a tougher topcoat. It’s also a good transfer medium.]
I created paper versions of the dogs by scanning and printing the fabric. I decoupaged the doggies with 1Gel and let it dry. To seal the paint and and create a uniform sheen, I gave the whole exterior a coat of (you guessed it) 1Gel.
I stuck on an oval mirror from Michaels with thick, double-sided tape. The clips in the corners are Gorilla-glued clothespins disguised by decoupaged doggies.
For reasons too silly to explain, I sometimes call Camilla, “Rosie.” Behold a doggie train case a la Rosie the Riveter. The whole mish-mash kind of says it all.
Love ya, Rosie! Where are we going next?
Thrift store. Ten dollars. Need I say more?
First it got a good cleaning.
Then I took the top off…
and popped out the particle board insert. It took a little elbow grease to scrape off some of the glue it left behind.
I painted just the table top and the ball feet with Provence, and the rest with 1:1 mixture of Annie Sloan Duck Egg Blue and Provence. I tried Old White on the insert but decided to toss it all altogether. I had an idea for that gaping hole in the table top.
But first the wax. As usual, every surface got a coat of clear. I wanted to highlight the details with dark wax but didn’t want the stark streaks it often produced. ***Before I brushed on the dark wax, I directed a hair dryer on the can, which gave me a little puddle of melted wax in the middle.*** DO NOT DO THIS! THE WAX IS FLAMMIBLE!!!
Brushing on a warmer, wetter wax helped provided a smoother effect. You can see my progress in the photo below. All but the leg on the right have a coat of dark.
Notice that I didn’t screw the top back on the base. I reimagined the tabletop as a removable tray.
I bought two of these handles on Ebay from a seller who had six of them. (I loved them so much, I went back on Ebay and ordered the remaining four, for future projects.)
Now to take care of that big hole in the tabletop:
I took the top to Cooper’s Glass and Mirror, and for forty dollars, the enthusiastic owner of the local shop had the glass cut and siliconed inside the grove. He even had it ready for me the same day! More often than not, artisans are happy, and sometimes even excited, to be a part of the creative process.
I glued felt pads (normally used for chair feet) to the bottom corners of the tray. These keep the tray from slipping around on the legs and it also protects the surfaces wherever else the tray might rest.
I love the subtle difference in the two paint colors and I also love the functionality of this table.
Imagine bringing drinks or snacks from the kitchen and having a handy place to rest the tray. Even if the tray stays put, it’s a pretty great side table. It’s hard to top that!
I’m an empty-nester now and I have more time to devote to my new obsession with chalk paint. But even before chalk paint, when my nest was still full, I managed to find time for faux finishing. I had a happy reminder of those times when I came across a wood-graining tool I hadn’t used in I don’t know how long.
About the same time I had to decide what to do with an old Bombay table I’d moved from room to room over the course of three houses.
I started with two coats of Annie Sloan Burgundy, leaving the top for an experiment with my new old tool.
On the top, I used two coats of Annie Sloan Old Ochre for the base and let it dry.
Then I got together my other browns, Honfleur and Coco.
I made semi-haphazard strokes of Honfleur and Cocoa across the top with a chip brush, coming back with Old Ochre to tone it down when any of the spots felt blotchy.
I worked fast because the paint had to be wet for the next step.
The wood graining tool works by dragging and rocking it in horizontal lines across the wet paint. The graining will change by how much you drag or rock. For each pass, I started with a different spot on the rocker so the lines of grain it created wouldn’t line up.
I found myself holding my breath each time I made a pass with the graining tool!
When it dried, it looked too stark.
A wash of Old Ochre softened the faux grain.
Then the “wood” and the Burgandy got a coat of clear wax. I added a new knob and lined the drawer with a wallpaper remnant I bought at a garage sale for a dollar.
This beauty now has a prominent and permanent place in the living room. It’s gotten some oo’s and ah’s and I have to admit, I have fun showing off a bit by revealing that the top is actually painted.
Would you think it’s wood?
My King Charles Cavalier didn’t seem impressed with the royal treatment the middle child of this nesting table family received in If at First You Don’t Succeed, so I decided to dress the eldest for a coronation.
With gold spray paint.
It looked as if King Midas had come for tea.
To tone down the gold, I experimented with a wash of Annie Sloan Old White. The paint beaded on the glossy surface and I let it dry like that. It was an interesting effect but still left too much of a Midas touch.
Out came the Black Gel Stain. I applied it to the surfaces as if it were paint. Gel stain is oil-based and thick. I doesn’t behave exactly like paint but if you’re patient and let it cure between coats (in this case, two days), it leaves a rich and solid finish. It’s blacker than Annie Sloan’s Graphite chalk paint and it doesn’t need wax or varnish.
I learned from A Cup of Joe to Go to wear gloves and use a foam brush.
I wouldn’t take all the gold away from this rich little table. The metal base and pull, as well as the inside of the drawer, stayed golden.
The random raised pattern left by the beaded white wash gave this little prince some depth.