Author Archives: Karen Levine

About Karen Levine

I'm an author and writing instructor. All three of my books have won National Book Awards: SISTER RAVEN, a teen fantasy, ALL ABOUT COLOR BLINDNESS, a health book for children, and THE CLAY MESSIAH, a historical novel. In between writing longer works, or when I need to take a break, I enjoy painting and repurposing furniture.

Just in Case

Be still my heart! Two wooden suitcases at Goodwill for six dollars each!

Fumigation not included.

I had a big idea for this small suitcase: A table when it’s closed and a vanity when it’s open. You know, “just in case” I need to freshen up.

I paired the suitcase with a table waiting for the perfect partner.

Stripping the inside of the suitcase involved experimenting with a few cleaning products. Goo-gone won first place in glue removal BUT it soaked through in some spots and darkened the exterior. Decision made. Paint!

Magic Eraser did such a good job cleaning up the trim and handle that I decided to leave it as is. Before painting, I taped the trim and the hardware.

The suitcase and table were graced with two coats of Annie Sloan Cream. In this “case,” I didn’t need the tabletop. I removed it and saved it for a future project.

I taped off stripes on the suitcase and added pink and peach highlights to the table. The pink is a combination of Emperor’s Silk and Cream and the peach is a combination of Barcelona Orange and Pure White. I don’t know the proportions. I just mixed until I liked the color.

It looked a little stark so I did some distressing and added images. Thank you to the Graphics Fairy and Diana Dreams Factory for the “Shabby French Roses Furniture Transfer.” The complete transfer is on the bottom shelf. I enlarged some of the elements for the top of the suitcase. Heirloom Traditions 1gel is a great transfer medium.

On to the “Just in Case” vanity…

I had some beautiful fabric and used a craft paper template to cut it to fit the back of the lid. I brushed the fabric with Mod Podge before the final cut. That made it easier to get a true cut without loose threads and it also helped align and decoupage the fabric to the surface

Before I glued the fabric to the suitcase, I cut an oval in the center about half an inch smaller than the mirror.

For more secure adhesion, I wanted to be able to glue the mirror directly to the the bare wood (and granite-like cardboard residue). To avoid sharp edges, I’d purchased an inexpensive mirror with a beveled edge

After the Mod Podge dried, I sealed the fabric with 1gel. 1gel is much more expensive but I find it leaves a harder, more protective top coat.

Gorilla Glue gel held the mirror beautifully.

To attach the suitcase to the table base, I needed a sturdy piece of plywood that fit inside the bottom. I was excited to break open my brand new jigsaw but I waited until my brother Jim was available for some lessons and guidance.

(I asked to borrow a sweatshirt. Apparently he only owns NY Giants sweatshirts. Worked for me.)

A perfect fit!

I rested the board on a smaller table and flipped the open suitcase on top of it. I screwed the table base through the bottom of the suitcase and the board at the same time. I’m sorry I didn’t take a picture. I was on a roll.

This is the flip-side after the operation was complete.

The interior came to life with another piece of fabric decoupaged to the board on the bottom and sealed with 1gel.

I used the same method for the trim that I used for the Pretty as a Peacock Chair. I soaked clothesline in water, then soaked it in paint, and hung it up to dry. No wax if you’re going to glue it!

I felt like Willie Wonka on the cusp of inventing bubble gum licorice.

“I am the maker of music, the dreamer of dreams!” – Roald Dahl, Charlie and the Chocolate Factory.

With a little extra help from Beacon Fabri-Tac, pink trim!

With repurposed clothesline, repurposed clothespins seemed the right choice for some handy hooks.

A suitcase side table…

with a surprise inside.

Just in case.

www.karenraelevine.com

Pretty as a Peacock

Call me crazy, but look what I picked up on the side of the road, in the pouring rain, wading ankle deep in a curbside torrent.

There were a few times in the course of this transformation that I thought my skill set would run a sorry second to my imagination, but I managed to pull it off.

Phase 1, The Frame:

The vinyl upholstery had to go, which left a problematic hole in the back (to be tackled in Phase 3).

I cleaned my “new” barley chair and because some of the wood was flakey, sanded it too. I took my fabric to Suite Pieces, my favorite place for inspiration, where I received many ooh and ahhs and some great advice: Annie Sloan Giverny and Provence.

Highlighting with Modern Masters Olympic Gold popped the details on the top.

I treated the whole frame to a soothing coat of clear wax.

Phase 2, The Seat:

As for the seat, all I can say is, Yuck!

The wooden base had obviously been a patch-up job.

The cushion was originally meant to sit inside the frame. My handy, helpful brother cut the board down to size.

I covered the board and two inches of foam with fabric, then pulled and stapled the fabric to the back of the board.

The fabric had been slated for a different project but this chair had “peacock” written all over it.

Phase 3, The Back:

Get ready for a long and sometimes painful operation.

Two generations of staples and some residual vinyl had to be pulled and pried from the annoyingly deep crevice. I did this before I painted.

Post-painting, using craft paper for an initial template, I cut a form of heavy cardboard to fit inside the gaping hole.

To make it easier to find the right section of fabric, I made a silhouette by tracing the form onto another piece of craft paper. I cut two pieces of fabric, about four inches wider than the opening, one for the front of the chair and one for the back.

I made a diagram of the next step because I didn’t dare lose my concentration by taking pictures. I basically sandwiched the board and some batting between the two pieces of fabric, attaching each layer with spray adhesive. I made sure the fabric stayed nice and smooth on both sides.

From the front, I pushed the fabric-covered board into the opening far enough so that the front-facing fabric was even with the front of the chair. This created a nice flat fabric-covered surface on the back.

A double layer of fabric, from both the front and the back pieces, poked out in front. I pulled both layers taught and pushed them tight into the crevice.

I used brads to nail the fabric to the chair because that pesky crevice was too deep for staples. The brads, I soon discovered, were too long to nail straight in — the first three poked out of the back. With that lesson learned, I nailed the brads in about a quarter of the way and used an awl and a hammer to bend them over.

Next, I trimmed away the excess fabric. I only poked my fingers with the utility knife twice. (There’s a reason I stay current on my tetanus shots.) If you try this at home, please be careful.

I needed trim to cover the raggedy edges. After a series of internet searches, I couldn’t find anything I liked. Necessity is the mother of invention. I bought a clothesline.

I soaked a section of the clothesline in water and then in a bowl of slightly watered down Giverney paint. I let it dry on paper towels until it wasn’t dripping and then hung it over a chrome shower curtain rod to dry thoroughly. (Don’t do this on a decorative rod because the damp cord will leave some paint.)

The cord was a bit stiff, but pliable. I didn’t wax it because wax and glue are never a good combination. I ran a bead of fabric glue and pressed the trim into place on top of it.

Inexpensive and a perfect match. I love a successful experiment!

Phase 4, Enjoy my chair!

After some touch-up painting on the back where the nails had poked through, my pretty peacock chair was finally finished. Paint me proud.

www.karenraelevine.com

Peace, Love and a Volkswagen Bus

My son always harbored the romantic notion of driving across the country in a Volkswagen bus. The trip never happened, at least not yet, but I never discouraged his dreams and imagination. At the advanced age of 22, I wasn’t sure Andrew would want it, but I decided to go ahead and create “mom’s version” of a VW bus.

It was a Pinterest post that sparked the idea and then, as fate would have it, I found the perfect little dresser.

I knew this project would require a good deal of measuring and planning. Between finding and ordering the right size accessories (like the lights and the VW decal), deciding where to paint and drill, and then the actual painting, it took about three months. Don’t get me wrong. There were plenty of pit stops on this road trip. I worked on other projects while waiting for supplies to come in and ideas to pop up.

A coat of Annie Sloan Pure White gave me a blank canvas.

My plan included changing and rearranging the pulls so that they were functioning design elements. I laid these out before I drilled the new holes: windshield wiper pulls on the top drawer, reflectors (wood knobs I painted orange) in the middle, and something resembling a grill on the bottom. I filled in the existing holes of the drawer pulls with spackle and sanded them smooth.

I drilled new holes for the updated hardware. Tip: Because I wanted the middle and bottom drawer pulls as low as possible, I drilled the holes from the inside of the drawer.

The top drawer had a double raised bevel, making it easy to tape and paint a Paris Grey windshield.

On the Paris Grey base, I painted rectangles in Graphite to resemble tires.

I’d left room on the bottom drawer for the headlights I’d ordered. The extra planning paid off because, although it wasn’t time to attach them, they were just the right size.

  

The biggest design challenge was creating the curved lines that defined the front of a two-tone VW bus. I taped a piece of posterboard on the front and made a freehand swoop with a pencil to draw a curve from the top corner to the bottom. It actually looked good on the first try. I cut the posterboard along my mark with an exacto knife.

I’d saved  the waxy paper remnant of peelable contact paper. The tape I’d apply would come off of it without losing its stickiness. I taped my template to the shiny side and traced the curve onto the paper.

I lifted the template, applied strips of painter’s tape over the penciled line, then put the template back down and traced the same curve onto the the tape. I cut the tape and paper together along the curved line.

After pulling the tape from the paper, I stuck it to the face of the dresser. It took some trial and error to position the somewhat wiggly strand of tape.

I flipped the template and I used the same method for the opposite side. I taped both the drawers and the frame in the area between the two curves.

I cut the tape through the slits between the drawers with an exacto knife, removed the drawers, and with Napoleonic blue, painted the base and the drawers separately.

 

***

There’s a reason I chose blue for Andrew’s bus. He’s colorblind. Blues and yellows are the most vibrant colors he sees. When Andrew was young, I was surprised to learn how many teachers knew little or nothing about a condition that would surely impact a child’s experience in the color-oriented world of early education. Because of Andrew and so many others who are colorblind (1 out of 12 boys and 1 out of 200 girls), I made it my mission to help parents, teachers and children understand and cope with color blindness. One result was the publication of my first book, All About Color Blindness: A Guide to Color Vision Deficiency for Kids (and Grown-ups Too!). It won a five national book awards, including Mom’s Choice.

***

Meanwhile…

I’d found the perfect peel-and-stick VW decal from Ebay and centered it on the center drawer. The decal and the stick-on lights answered the “wax or varnish?” question. Wax would loosen the adhesive and they’d all slide right off.

I chose a satin finish because a real VW bus has a little shine. I’ve had success with Polyvine wax finishes before and it’s my go-to for varnishing.

 

I positioned the headlights using the paper that covered the adhesive. The stickiness of the stick-on lights would have been good enough for use in a closet or drawer, but I imagined the front of this dresser would get a lot more action. I rolled off the adhesive pad with my thumb and attached the lights to the drawer with Gorilla Glue.

Because I wanted the lights to last as long as the dresser, the ability to change the batteries was important. A little twist freed the body from the backing and exposed the battery compartment. The lights turn on and off by pressing the front.

I’d spent a good deal of energy on this little dresser and it looked like it was ready to roll.

But does anyone love a car just because it looks good on the outside? This baby had to be good-looking on the inside too.

I ordered a US road map that was three feet long, just the right length to cut and line three 12-inch deep drawers. Mod Podge on the bottom was all the glossy paper needed.

I painted the sides of the drawers Pure White. When they were dry I added thin strips of painter’s tape and covered paint and tape with two coats of Graphite. When I pulled up the tape it had the look of white-lined roads. These pretend highways got a coat of varnish too.

And at last it was good to go.

Since Andrew is a college graduate with a grown up job and his own apartment, I thought he might consider this a bit too childish. I included a photo in a text, assuring Andrew that I wouldn’t be insulted if he didn’t want it. His low-key response made me smile. “I can take that off your hands.” My man-child was like me. He hadn’t lost his sense of humor or his sense of whimsy. Good news for both of us, I think.

www.karenraelevine.com

 

 

Better Than Watching Paint Dry

I usually tackle two projects at once so I can work on one while the paint dries on the other. In the middle of transforming a side table, I emptied an old laminate bookcase. Before dumping it curbside, I decided to see if it could be saved.

One coat of Annie Sloan Graphite covered the fake wood. Just that little bit of transformation put my creative wheels in motion.

I slid over the can of paint I had out for the side table and dipped a brush already wet with Annie Sloan Burgundy. I guess I’d call it “wet brushing” because all I did was brush it on. I kept my strokes light and straight and didn’t fill it in where the Graphite showed through. Where I thought the paint was too heavy, I wiped it back with a wet rag.

To be sure the paint stayed wet enough, I painted one section at a time.

I thought this bookcase still might end up on the curb…

…but the more the paint dried, the more I liked my quick little experiment. The muted color combo had sort of a mahogany look.

I didn’t think the cardboard back panel would survive the pressure I’d need to add a coat of wax. I left it alone and applied clear wax to the stronger surfaces.

(Two of my books are on the bottom shelf. You can learn more about them here. Read the story of the storage cubby on the left in Ode to My Favorite Veteran.)

The bookcase wasn’t the best piece of furniture I owned but it was a quick and easy job to hide the just-plain-ugliness of the “who are you kidding?” wood-look laminate.

Instead of tossing the bookcase, I’d used it to experiment with a paint technique. Not only did I save a useful piece of furniture, I applied what I learned to the more complicated cover-up of a project already in progress. (Stay tuned!)

What I learned;

  • Don’t be afraid to experiment, especially on pieces that couldn’t possibly look worse.
  • What you learn from experiments, successful or not, can be applied to another project.
  • Some people think that creative exercise is as exciting as watching paint dry — but I’m not one of them!

www.karenraelevine.com

Rock on!

An antique dealer told me rocking chairs were dead. Dead??? It seems as a society we’re more prone to hunch over a computer then sit back and relax.

But not all of us! When a friend spied my old rocker, she sank into it and closed her eyes. What was her favorite color? Blue. Old rocker, new paint, happy friend. Done deal!

First I tried Aubusson Blue but I felt it was too light. The nicks and scratches would remain part of the character of the chair but wouldn’t be as prominent with a darker color. I chose Napoleonic Blue.

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It turned out the rocker needed more glue than paint. It was obvious that it had already been glued a few times in the past. I used wood glue where I could and squeezed Gorilla Glue Original (like Krazy Glue) into the smaller joint crevices. It wasn’t always pretty but it held the joints well enough to quiet the creaking.

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I somehow managed not to glue my fingers together.

A girl scout song helped me choose the accent color. “Make new friends but keep the old. One is silver and the other’s gold.” After two coats of Napoleonic Blue, I gave my old friend a wink with touches of gold.

First up, a gold stripe on the spindles. I positioned two long strips of Frog Tape (my favorite painter’s tape) in nice even lines across the bars, then cut in between so that I could wrap the tape around each spindle.

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The gold paint of choice was Modern Masters Metallic Paint, Olympic Gold. At Suite Pieces, I got a little friendly advice about this paint.  It works well over chalk paint but direct application to wood requires more prep work. It’s oil-based and needs mineral spirits or paint thinner for clean-up.

I stenciled a leaf design on the left and then flipped the stencil for a mirror-image on the right. Positioning was trial and error but as you can see in later photos, I think I got it pretty close.

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I used the same stencil for gold leaves on the arms. I made my own design using two different leaf shapes on the stencil, and cut a paper template to make positioning them easier.

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Another long strip of painter’s tape helped align the template and the (flipped) stencil on the opposite arm.

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How did a picture of my mother’s hand get in there? Oh, that’s my hand.

I hand-painted some gold lines in the grooves of the legs and crossbar and gave the whole chair a coat of Clear Wax.

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I gave the rocking chair a long and luxurious test run by the fireplace.

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Maybe I can give the rocking chair a new life by calling it a meditation device. Batteries not required.

What I learned:

  • Gorilla (or Krazy) glue helps bond furniture joints that can’t be removed.
  • Modern Masters Metallic Paints are oil-based and are easily applied to chalk painted surfaces.
  • When combining stencil elements to create a unique design, cut out a paper template to help position them.
  • Take some time to sit back and relax.

 

Tic Toc Table

I had just enough time for a quick visit to an estate sale at a beautiful old home, but for me, of course, the best find was a castaway coffee table in the garage.

I loved the lines on the legs and decided to try something new. Instead of painting inside the lines after the final coat, I used a reverse method.

First coat was Annie Sloan Graphite.

When that dried, I applied Old Linen. While the paint was still wet I wiped the it away in the grooves using cotton swabs, which exposed the Graphite. I repeated the swabbing method after the second coat of Old Linen.

I guess I was a little heavy-handed because I wiped down to the wood in spots. Not exactly what I had imagined, but I liked it.

The top also had some interesting grooves and I used the same method.

  

The next step was a little tricky. I used Adobe Illustrator to make a large clock face, printed it out on multiple sheets of paper, and taped them together. I included an outer circle as a guide to help me trim it.

Alternatively, you can find an image of a clock face you like and blow it up to the right size, and print it out. Either way it takes a little bit of computer savviness.

I slid graphite paper under sections of the paper to transfer the image to the table.

You have to be careful with graphite paper. It’s almost impossible to erase if you make a mistake, covering goofs with a lighter color (like Old Linen) is challenging and tedious. You can see that I must have shifted the paper while tracing the number XII. Fixing it was frustrating but not impossible. I should have checked my transfer process more often.

Finally, I was able to use a small brush to fill in the numbers with Graphite (paint, not paper). I was careful but not  worried about perfection because I knew I would be sanding them for a distressed look.

“One must work with time and not against it.” – Ursula K. Le Guin

Same goes for the grain of the wood when you’re sanding. This is one of the legs after I started sanding back the paint on the edges.

And here’s the top, distressed. I used light curved strokes over the numbers and put a little more muscle in it around the edges, sanding down to the wood in random spots.

Then came a fun time with my Facebook friends. I posted a picture and asked for opinions: Should add working clock hands, paint them on, or leave it blank? Here’s the tally:

  • 7: Leave it as is.
  • 2: Add a working clock to the table face.
  • 2: Paint the hands at 5:00 (Happy hour!)
  • 3: Make a sundial. (Vetoed. I recognized the grave danger of a table with a pointy top.)
  • 2: Add a lazy susan in the middle.
  • 1: Paint hands on the lazy susan to “play with time.” (Extra credit for making me laugh.)
  • 3: Make a working clock on the table face and add a raised glass surface. (Time-consuming.)

I appreciated all the input but after pondering the ideas into the wee hours, I decided to go back in time to my first inclination and leave it the way it was.

The bottom portion of each of the four legs must have capped at one time. To make the table appear a little more grounded, I painted them with Graphite and sanded them back about the same amount as the numbers.

A coat of clear wax and there she is! One of the dishes holds thyme. Get it?

What I learned:

  • You can wipe wet paint with brushes, rags or, in this case, cotton swabs to expose the color (or even unpainted wood or metal) underneath.
  • Sand with the grain or shape and not against it.
  • Graphite paper transfers are unforgiving and should be used carefully and with caution.
  • Other people’s ideas are alway useful. Even if you don’t use them, they help guide you to what you really want.
  • “Time is on my side, yes it is.” – The Rolling Stones

 

An Old Soul

I found this chair on the curb in front of a barber shop. I thought of all the people who must have sat in it and all the stories they had to tell. Maybe I was being romantic, but I felt that under its shabby exterior, there was an old soul.

I freshened the chair with a bright coral I created by mixing two parts Annie Sloan English Yellow and one part Emperor’s Silk. You really get to know a piece with the first coat of paint. Sometimes I’ll start with a coat of Pure White just to get a better idea of my “canvas.”

This time the paint highlighted an area where the rattan had begun to separate.

I removed the damaged back with a utility knife and was surprised to find yellowed batting underneath. It left me with  with an area that had to be filled in and covered.

 

I cut out paper templates for the back and the seat.

What followed was a series of “failures” that I prefer to think of as “learning experiences.” First of all, don’t upholster with carpet padding. Hey, I was trying to be thrifty. The foam rubber was too thin but at least it helped me make a sturdier template. (I used duct tape around the edges and used the utility knife to trim away the excess.)

The one and only winner, of course, was batting. And to cover the batting? Hmm, those are very nice curtains, aren’t they?

Confident that I could succeed with the upholstery, I added clear and then dark wax to the wood. There was the depth I knew was hiding in that chair!

I was careful not to wax the area to be covered because I knew from experience that wax resisted glue. (Wake Up Little Dresser!)

Time for the fabric.

“The moss-green velvet curtains felt prickly and soft beneath her cheek and she rubbed her face against them gratefully, like a cat. And then suddenly she looked at them.” – Margaret Mitchell, Gone With the Wind

Sorry about the book reference but it gives me a chuckle: Scarlet O’Hara made a dress from her curtains. I used mine to cover a chair.

I used spray adhesive to attach the fabric to the batting and the batting to the chair.

What followed was another “learning experience.” I learned that my talents do not include sewing chair cushions. I did, however, come upon a rattan-ish seat cushion at Bed Bath & Beyond.

By then I was spray-adhesive-happy. I traced the cushion outline onto my curtain panel fabric and cut around it with a good three inches to spare. Because I only wanted to cover one side of the cushion, I used painter’s tape to keep the spray adhesive off of the bottom half of the cushion.

Once the fabric was stuck in place, I trimmed the excess to the edge of the painter’s tape.

I rolled a bead of Unique Stitch (Time to Play Dress-up) under the fabric where it was a little loose on the edges.

All it needed was a bit of trim to pull it all together. I had some twine and used Unique Stitch to glue it along the curves on the back and also around the edge of the seat cushion.

I’m glad I was able to see beyond the surface of this time-worn chair. It already had a long and interesting life before I came along. That’s the beauty of it.

Bones, depth, character, soul…

What I learned:

  • When upholstering, use upholstering materials.
  • Curtain panels are a terrific source for fabric.
  • Art rejuvenates the soul.

Bloom Where You’re Planted

Betty and I had both grown up in the same Long Island town and stayed to raise our kids there too. Betty was as settled as a flower in her backyard garden. I almost fell off my chair when she told me she and her husband were going to empty-nest in an apartment in DC. That was a whole lifestyle away.  I wanted to add a little bit of garden to her terrace.

Because every garden needs a picket fence, I started with a wall hanging I wasn’t using.

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It was cute but not used, so off came the birds and the hooks, to be saved for a future project…

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…and on when two coats of Annie Sloan Pure White and two coats of clear matte polyurethane.

I’ve always been a fan of Mary Engelbreit and I knew it was Betty’s style too. I ordered fabric from Ebay adorned with Engelbreit’s artwork.

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I cut designs from the fabric and decoupaged them onto the “garden fence.” The fabric worked very well on the uneven surface of the wood. Ann Estelle, one of Engelbreit’s recurring characters, reminded me of Betty.

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The quote I chose suited the situation perfectly: “Bloom where you’re planted.”

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But there was more to my wish for Betty to bloom where she was planted. I wanted her to plant where she bloomed! I wasn’t “hung up” on a solution for long.

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I purchased a wall planter, spray-painted it white, and add some touches of Antibes Green.

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I screwed the planter onto the faux fence. It was removable so that, if need be, the planter and the fence could be used (or not used) separately.

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I had in mind that her gift should be compact, not only for use on a terrace but, as Betty downsized a house full of memories, easy to pack. I hope this mini hanging garden will help Betty grow new roots, and also remind her that she’ll never lose her hometown friends.

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What I learned:

  • Fabric works well for decoupage on uneven surfaces
  • Bloom where you’re planted!

Time to Play Dress-up

Here’s the second step in my plan to liven up a corner in my living room. You can see the first part in If At First You Don’t Succeed.

I’m not a fashionista but sometimes a new dress with matching shoes makes me feel good about myself. It’s the same with furniture. This old chair I inherited needed a pick-me-up. The slipcover, like an old bathrobe, had to go.

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The best thing about an old chair with a slipcover is what you might find underneath. Say for instance, perfectly preserved ivory silk upholstery. Instant new dress!

Matching shoes would come in the form of a coordinating footstool. I found the one in the size and shape I wanted  but the owner was stubborn about selling the pair.

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I relented but in the end I was happy. It gave me a chance to try on two different outfits. The process of changing the look for each footrest was the same: replace the fabric and paint the legs.

Replacing the fabric:

  • Flip it over, remove the screws (keep them handy), and pop off the top.
  • Remove the nails or staples holding the old fabric in place with pliers and/or a flat-head screwdriver.
  • Reuse or replace the batting, depending on its condition.
  • Position the batting and backboard over a strategic area of your fabric
  • Cut the fabric wide around board, leaving plenty for the wrapping process.
  • Pull the fabric tight across the backboard and use a staple gun all around to secure it. Play with the corners to get the look you want.
  • Paint the legs
  • Re-screw the bottom to the top.

In this case, the footrest is painted with Antoinette over a coat of Paris Grey with the pink sanded down to reveal the grey. Then a coat of clear wax.

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Leftover fabric became matching pillows. I cut two identical rectangles, about 2 inches all around larger than the dimensions of the ottoman. I glued the pieces together, good sides facing each other, with a uniform line about a half inch inside the cut. I used Unique Stitch fabric glue, (but if you can sew, go for it. Don’t forget to leave an opening unsewn or unglued to leave room to add the filling. Turn it inside out, stuff it, and close up the opening.

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Chair legs can be painted to match the legs of the footrest. (A little Photoshop magic on the legs here.)

Now for the main ensemble, suitable for an elegant evening. First, on the legs of the chair and the footrest : two coats of Graphite and one coat of Black Wax.

A new dress (upholstery), accessories (a blue velvet pillow), sleek hose (painted legs), and matching shoes (a footrest), will help make this chair a stunner in the corner of an eclectic/contemporary living room.

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Like the clothes we pick for a mood or occasion, the basic elements of shape, color and accessories define the “look.”

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What I learned:

  • Furniture style boils down to shape, color and accessories.
  • For seating, accessorizing can be as simple as a new pillow.
  • To bring an ensemble together, coordinate the colors.
  • Two new outfits are better than one!

karenraelevine.com

If At First You Don’t Succeed

This little table is the first of a three-part plan to decorate a corner in an “eclectic contemporary” living room.

I knew right away the side table would be Napoleonic Blue because it would share a room with a dresser in the same color (The Tale of the Ugly Green Dresser).

I loved the Napoleonic Blue with clear and black wax.

I didn’t love the rubbed bronze metal on the legs and knob. I decided to paint them Old White and highlight the paint with wax. “If at first you don’t succeed, try and try again.”

Try number 1: Because it was metal I decided on a first coat of primer. In the end, it didn’t matter and I didn’t need it. But how do you like my high-tech method of letting the paint dry on a knob?

Try number 2 (below left): Old White. Boring.

Try number 3 (below right): Old White with clear wax and then black wax. Not bad. I could have applied even more black wax but I wanted to try another method.

 

Try number 4 (below left): Old White rubbed directly with black wax (no clear coat in between). Black wax on its own is more of a stain. It did have an interesting look, almost a silver tone on the white, but it still wasn’t what I was looking for. I took out the mineral spirits to clean off the wax .

Try number 5 (below right): This is what it looks like when you grab the wrong can and, instead of mineral spirits, dump a glob of paint remover on the paint you had so carefully applied. When I was done cleaning this toxic product off of my unprotected skin and calling myself all sorts of names, I took a look. This might be a method to catalog for another time. But not this time.

 

Try number 6: I gave up on the Old White and went to Graphite. This is the first coat.

Two coats of Graphite and an application of black wax gave me what I was looking for. What I really wanted was so much easier than what I thought I wanted!

The table, by the way, was one of a set of three I bought together. This is Charlie checking out my work. Charlie is the reason I have to watch out for dog hair in my paint.

Try number 7: Since the knob had been painted Old White and then Graphite, I sanded down some of the Graphite to reveal the white. I liked it. Finally, success.

What I learned:

  • Pay attention to the product label before you open it!
  • Don’t be afraid to experiment.
  • Mistakes are a learning experience.
  • Sometimes simple is best.
  • If at first you don’t succeed, try and try again.

karenraelevine.com