Monthly Archives: May 2017

Backgammon Anyone?

Thrift store find, $16.99!

The top told me it needed to be a backgammon table. (Furniture talks to me. Don’t ask.)

My backgammon idea challenged me for quite a while. I’d run through all kinds of color and design options in my head but none of them seemed right. It wasn’t until I took a General Finishes class at Suite Pieces that I knew glazing was the answer.

First, two coats of Annie Sloan Country Grey.

With a light distressing and some clear wax, I could have stopped there, but of course I didn’t.

For a two-tone look, I taped the edges of the top and the sides to get them ready for a glaze finish. The first step was a coat of Artisan Enhancements Scumble. Scumble is a water-based extender. It keeps the glaze wet longer so the glaze goes on smooth and there’s more time to “play” with it.

The Scumble has a sheen when it goes on. I tilted the table in the light to find the sheen and make sure it covered the entire surface that would be glazed.

I brushed on the glaze, a 1:1 mixture of General Finishes Water Based Glaze Effect colors Van Dyke Brown and Winter White. I used a chip brush to move the glaze in straight(ish) lines along the top …

… and across the drawer, and the sides.

I let the glaze dry overnight, then taped off the glaze I’d already applied. On went the Scumble and the glaze in Van Dyke Brown. Again, I used a chip brush to move the glaze in the direction I wanted. On the top, I followed the shape of the rim. On the bottom, I brushed downward and followed the line of the legs.

I changed the drawer pull and could have stopped then, but of course I didn’t.

I mapped out the backgammon triangles in Photoshop. I had a few different options to apply them. I could decoupage paper triangles, transfer images that had a triangle shape, make my own triangle stencil, or tape and glaze. I decided to tape and glaze.

I taped the table top and used graphite paper, pencil and ruler to trace my triangles onto the tape.

(I should buy stock in FrogTape Brand painter’s tape. I think I’m keeping them in business.)

I used a ruler and exacto knife to cut the tape around every other triangle.

I applied Scumble and Van Dyke Brown glaze. This time I brushed a cross hatch pattern, stroking the glaze first along the triangles and then across them.

In the photo above, you can see a little smudge on the bottom where I forgot to tape. I caught it while it was still wet, and wiped it off with a damp paper towel. The advantage to glaze is that it leaves a nonporous topcoat. Bare chalk paint would have absorbed that little goof and I would have had to paint over it.

The following day, I used my ruler and exacto knife to cut out the triangles that would receive a lighter glaze. I applied a fairly heavy coat of Winter White and with a damp paper towel, carefully wiped the glaze from each dark triangle.

Photo bomb by my “helper,” Charlie

Because the coat of white glaze was heavier, I removed the tape right away so that I could catch and wipe away any glaze that had seeped through the tape.

There were a few times during the process I could have stopped and still had a nice looking table, but I’m glad I kept going.

Backgammon anyone?

www.karenraelevine.com

From New York to London

I’d been on a suitcase kick and I wanted to try a trunk. As it happened, there was one waiting for me at a thrift store! I decided on a fantasy excursion to the birthplace of the Beatles.

I gave the whole trunk a light sanding and filled in some nicks with spackle.

I used a foam brush to apply black gel stain to the trim and hardware, and while I was at it, I went ahead and coated the whole exterior. Gel stain doesn’t cover metal completely. It leaves a bit of a distressed finished that I like. The trick always, when using gel stain, is to give it plenty of time to dry.

On Pinterest, I found a guide to painting the Union Jack.

To prevent painting over my treated trim and hardware, I had to tape it. I used an exacto knife to trim the tape so that the tape only covered the metal. This had to be done in two steps: once for the lid, and then again for the base.

I started with a coat of Annie Sloan Napoleonic Blue on the lid. For the red and white stripes, I chose Emperor’s Silk and Old Ochre.

It sure was easier pulling the tape off the trim than it had been applying it. And that was just for the lid. I still had to tape up the trim before I painted the base!

When the trim on the base had been taped, I continued the stripes down the front, back and sides, even painting the front handle.

I decided on bun feet for my British box. I purchased the mounting plates and the feet at a home improvement store. The mounting plates are designed to be used with different styles of “quick mount” feet or table legs.

Since the wood bottom of the trunk wasn’t thick enough to hold the mounting plates, I cut triangles of scrap wood and glued them to the corners with wood glue. (The paint cans pressed the wood together while the glue dried.)

From the bottom, I screwed the mounting plates into the trunk and through the wood triangles glued inside the bottom.

I gave the bun feet two coats of Emperor’s silk and screwed them into the plates.

I coated all of the painted surfaces on the outside with clear wax. The Emperor’s Silk on the interior pressboard didn’t need a sealer.

Closed, the trunk is a fun coffee table or linen chest.

Open, it’s a display and storage piece for an entryway or mudroom. Either way, it’s a treat for anyone who loves Great Britain or the Beatles!

From New York to London, “With Love From Me to You.”

www.karenraelevine.com